"I have heard the cellphones ringing, each to each—Sunday, March 28, 2010
How (Mostly) Pleasant to Re-encounter Mr. Eliot!
"I have heard the cellphones ringing, each to each—Saturday, February 13, 2010
An Improvement
This shot, also on my street, was taken on February 10, 2010, and somewhat mitigates the "ick factor" represented in the previous blog entry. Yes, even a midtown Manhattan street can look romantic, even poetic, for a least a few hours. And we can still go to Central Park, where there's enough snow to last a few days, to get another feel of how the city can look in winter, if we're lucky. Thursday, February 4, 2010
And It's a Nice Neighborhood!
The delightful crossword puzzle blogger Dr. Michael Sharp of Binghamton University, who posts under the nom de crossword as "Rex Parker," may be the one to have coined the phrase "to pass the breakfast test." "Rex" is referring to crossword fills that may have scatological, sexual, or other less than savory connotations that may be particularly unappetizing to those of us who like to do our crossword puzzles early in the day. Incidentally, it was "Rex," whose most amusing blog I discovered quite by accident, who inspired me to start blogging myself. I consider googling to find answers to be cheating at crosswords, but I was desperate one day and happened upon "Rex Parker."Thursday, January 28, 2010
Beep, beep!

Many enthusiastic theater, concert, opera, and film goers have their cellphone, hearing aid, plastic bag, candy wrapper, or other disturbance stories. It's hard to understand how people who have enough intelligence and interest to attend Verdi's rarely performed Stiffelio, which I enjoyed the other evening at the Met, couldn't have enough of that same intelligence to remember to turn off their phones. As they say, go figure. At least only one phone went off during that particular performance. Whistling hearing-aid batteries are another offender. A continual whistle during a lieder recital by the outstanding Belgian bass-baritone José Van Dam ruined an evening of serious music-making for me. In spite of that experience, I do remain thankful for my excellent hearing; my companion at Carnegie Hall didn't hear any superfluous noise.
Monday, January 4, 2010
Fortnum and Mason
Monday, December 14, 2009
There's Hope for Kids!

Although not a fan of the 1960 show Bye Bye Birdie, currently in revival on Broadway (for some unknown reason), I've always enjoyed the song "Kids" from the score, music by Charles Strouse and lyrics by Lee Adams:I don't know what's wrong with these kids today!
Kids!
Who can understand anything they say?
Kids!
They are disobedient, disrespectful oafs!
Noisy, crazy, dirty, lazy, loafers!
While we're on the subject:
Kids!
You can talk and talk till your face is blue!
Kids!
But they still just do what they want to do!
Why can't they be like we were,
Perfect in every way?
What's the matter with kids today?
Kids!
I've tried to raise him the best I could
Kids! Kids!
Laughing, singing, dancing, grinning, morons!
And while we're on the subject!
Kids! They are just impossible to control!
Kids! With their awful clothes and their rock an' roll!
Why can't they dance like we did
What's wrong with Sammy Kaye?
What's the matter with kids today!
But, although I used to sympathize with the song, I have a different opinion of at least some kids after attending the utterly delightful dress rehearsal of Humperdinck's Hansel and Gretel, sung in English, at the Metropolitan Opera last Friday. While the school groups who often attend Met dress rehearsals were certainly lively and voluble when entering the opera house, they were perfectly behaved, not only during the performance but also when eating their lunches sitting on the carpet of the Grand Tier and elsewhere. They must have had the Riot Act read to them ahead of time. Anyway, it worked.
Paying more attention to this delightful—and far from trivial—opera than I had in the past, I see and hear that this gorgeous, semi-Wagnerian work has quite a macabre side that is not stinted in this production. Some of the unfortunate children who had been baked into gingerbread by the Witch do not revive; their limbs can be snapped off. At least others are rescued in time to sing the joyous chorus of redemption at the end. Having the eminent and delightful British tenor Philip Langridge as the Witch in full panto-dame drag was totally appropriate and right. This Witch was somewhat more endearing than scary, even though her motives were as malevolent as ever. Two gorgeous voices from two beautiful women—Angelika Kirchschlager as Hansel and Miah Persson as Gretel—were, literally and figuratively, the frosting on the cookies and cakes. Am going to listen to the Met's webcast of it this evening.
Monday, November 30, 2009
Oliver!


