It's a Beautiful Day in the Neighborhood(s)

When it's a nice day in New York City, it's a Nice Day in New York City! Here's the fabled Chrysler Building (also immortalized once again in today's New York Times crossword puzzle) as it looked on the morning of June 25, 2008. Note the totally cloudless sky, not normally the case in NYC. As regards the building, my dentist, the unofficial mayor and biggest fan of the building, has his offices in the Tower Suite. Thus, when one sits in his chair, one usually has a sweeping view of New York Harbor, the Statue of Liberty, Ellis Island, et al. It's too bad to have to visit him on a cloudy day. I'm also fortunate not to have had any real dental problems, making visits both painless and pleasant, as a rule.

Now, what better activity on such a day than to pay a visit to the "Moore in America" display of 20 Henry Moore sculptures at the wonderful Botanical Gardens in the Bronx? Just a 20-minute ride on Metro North, and there you are. The sculpture shown above is one of the artist's renderings of a favorite theme: mother and child. The setting is absolutely perfect for large sculptures, and the art and venue enhance each other. You can read about a similar exhibition, including all of the same works and then some, held recently at England's equally magnificent Kew Gardens:

http://www.abbycronin.co.uk/pdfs/1202777470.pdf

And, of course, there are the botanical treasures to be savored. The conifer collection and, as seen above, the Rockefeller Rose Garden, are only two of the delights to be found in the Bronx. Don't agree with Ogden Nash's

The Bronx,

No thonx.

at all on this score. And then there are the lemurs, newly housed at the Bronx Zoo. Gotta see these babies! Their name, once used as the title of a PBS documentary, means "spirits of the forest." 

Bronx Zoo

"When a ghost and a prince meet...."

The reviews of this year's Shakespeare in the Park production of Hamlet have not been favorable. I was thinking about the many interpreters of the Dane I've seen—certainly many of the world's greats. Truly memorable were Richard Burton in the "rehearsal" production directed by John Gielgud; Ralph Fiennes a few years back; and, more recently, the beautifully voiced and profoundly artistic work of Simon Russell Beale. Mr. Russell Beale overcame his unlikely physique, drawing in and moving the audience at Britain's Royal National Theatre as much as if not more than any Hollywood-handsome type could. Although—I certainly enjoyed seeing the marvelous-looking Mr. Fiennes—those eyes!—who also has the talent and voice for the part. And no one is better at sheer vulnerability than he is.

So, I was hoping that the latest outing might be worth a visit, though I'm really not up for standing in line for anything. There are too many great presentations in NYC for which you don't have to queue up. This year, the Public Theater is offering an online lottery for some of the tickets, and I thought it might be fun to register and try to get a pair, but now I'm not sure I want to bother. I guess my favorite curmudgeon, John Simon, has warned me off:

John Simon Bloomberg Hamlet

I've been to other Shakespeare in the Park Hamlets over the years. Quite a number of years back, Stacy Keach essayed the part. I don't remember too much about his performance, but at one time I remember he was quite a respected classicist before his British drug bust and apparent fall from grace. At any rate, what I liked most about the performance was the enjoyment conveyed by two giggly teenage girls sitting behind me. They proved the real purpose of Shakespeare or any other fine theater, when one burst out at the end of an act: "I can't wait to see what happens!"

I was also reminded of Howard Dietz's wonderfully clever lyrics to Arthur Schwartz's delightful melody "That's Entertainment" from the movie version of their show The Band Wagon. The magazine Time Out New York quoted it without attribution last week when listing the current production. And then, just by chance, last Sunday afternoon Schwartz's son, Jonathan, the doyen of the Great American Song Book, played Judy Garland's wonderful rendition on his weekend public and satellite radio show. What a voice! What diction!

"When a ghost and a prince meet/And everyone ends in mincemeat."

A&P Heir and Me—and Many Others

The "good grey" New York Times almost always has something to spark one's imagination or memory—in addition to the important news of the day, of course. In yesterday's edition there was an obituary of the A&P heir Huntington Hartford, who managed to squander the family millions most efficiently while probably having a lot of fun doing so:

Huntington Hartford, A. & P. Heir, Dies at 97 - New York Times

The obit reminded me of an experience, evidently common among my young female contemporaries, in my college days. HH had built his hideous Gallery of Modern Art,  one of Edward Durrell Stone's more unfortunate creations, on the south rim of Columbus Circle. The art in there was pretty bad, since HH, as you can read in the Times piece, eschewed any of the then currently respected trends. I paid a visit to the windowless gallery one day and was accosted by an older, well-dressed man who asked me how I liked the pictures. I don't remember my reply, but he then confessed that he was the owner of the gallery and tried to pick me up. I managed to scoot away and later had an amusing anecdote to tell my girlfriends: "Huntington Hartford tried to pick me up! Ha ha!" Sometime later, my mother informed me that a friend of hers had actually bragged (the woman was a rather naïve provincial) that HH had tried to pick her daughter up in his gallery. My mother, highly amused and slightly more worldly, said, "My daughter, too!" Apparently every reasonably attractive young woman of the era was fair game. Perhaps HH had even built the gallery to attract new feminine possibilities. Certainly a classier joint than a pickup bar at any rate, windows or no.

Epilogue: In September 2008, after a reported $90 million renovation, the building is scheduled to reopen as The Museum of Arts & Design. I think it's supposed to have windows this time.

PDA in the NYT

The clever theme of today's New York Times crossword puzzle was "PDA," which appeared in the middle of the grid. The two PDAs in question were "public display of affection" and "personal digital (or data, which didn't fit) assistant." I'm definitely not a fan of the former, but love anything to do with the latter, being a technophile. (I always say that my life didn't really begin until I went online.) 

Well, despite my aversion to this rather icky type of display, I remember that I was, admittedly, quite enchanted by same on my first visit to Paris, many years ago and counting. Weaned on various nouvelle vague films featuring Jeanne Moreau and/or the late Gérard (sigh) Philipe, but coming from the basically puritanical U.S., I was thrilled by my various glimpses of couples embracing and locking lips on virtually every street corner or under every tree in the various parcs. It was indeed "just like the movies." My romantic phase could last only just so long, however. What looked—or maybe even still looks—great in Paris or Rome just doesn't cut it here in NYC, especially if you're doing it while sitting in front of me at the theater. Like many another bodily function, it just doesn't translate into public behavior. I'm allowing for the greeting of a loved one at an airport or similar situation, but keep it short or get a room! 

A couple of people who post on "Rex Parker's" delightful NYT crossword blog seem to agree with me. It's like a lot of other behavior that pays no attention to the sensibilities of others, e.g., not cleaning up your dog's poop or discarding rubbish in the street instead of in a bin. In the subway the other evening, a person (who looked out of it anyway) threw rubbish on the train tracks even though he was sitting right next to a rubbish bin. Well, if you want to live in the Big City, you have to put up with a certain amount of unattractive—or even illegal—behavior, but I do draw the line at PDA.

As far as Paris is concerned, it does have its reputation to live up to. I'm reminded of a scene in Cyrano de Bergerac in the Brian Hooker translation. Cyrano is trying to detain the Comte de Guiche from entering Roxane's house while she and Christian are being married. Cyrano claims to have recently fallen from the moon and not to know where he is. The Comte, after many attempts to get past Cyrano, blurts out: "A lady is waiting!" Cyrano replies: "Ah! So this is Paris!"

Thai Time

Once, again, right in one's own backyard! Or, at any rate, across the street in front of my apartment house. The Thai Embassy is directly across from me, as I, fortunately, face the front of my building. I understand that the building across the way, after the Thais renovated it, was dedicated by a Buddhist priest, but I missed that event. They work in there industriously, from fairly early in the morning until quite late in the evening. Maybe they take long lunch hours, but I'm not usually around to notice. Just now, on my normally quiet residential block, I heard a voice speaking through a bullhorn. Did not recognize the language, but then one hears so many different tongues here in Gotham-on-the-Hudson. Looking out of the window, what do I see but an actual demonstration! This happens from time to time, making life all that much more interesting here in dignified, decorous Turtle Bay. Our last big "happening" was the fatal crane collapse a few weeks ago. Now it's Thai protesters. Never a dull moment. I'm not exactly sure what they're protesting; it seems to be that they don't want certain people sent to China.  Maybe it has something to do with the Olympics. Their placards read "Free Chen Guan" and "Thai Human Rights Abusers." Maybe there'll be something in the papers tomorrow. Or on our "little channel that could," NY1.

"Cupcake"

From time to time I have occasion to visit the Columbia University campus in northern Manhattan. As an alumna of the University's noted women's college, Barnard, I frequently experience what is sometimes termed "recovered memory syndrome," if this phenomenon actually exists. After attending an event at Columbia's School of Journalism last evening—sat a couple of rows behind the great-looking Paul Auster!—and passing my old dorm, Brooks Hall, I was reminded of our then mascot, whom we named "Cupcake" for unknown reasons.

My room, a single in those long-ago days, was tiny, but, as the Bard has it, "an ill-favoured thing but mine own."* It, and my friends' adjoining room, looked across 116th Street to a large apartment house. In one brightly lighted window, a middle-aged man in a white bathrobe would appear and, for our delectation, open his robe to reveal—not much of anything. This happened on a fairly regular basis. I don't know why we were not more appalled, especially in those more repressive years, but mainly we found him funny and dubbed the offender "Cupcake."

Now long awakened to the feminist cause, with many battles largely won but still a few more to fight—go, Hillary!—I realize that the man's behavior was at least headed in the direction of criminal. He knew that there were young, nubile women across the street. For him, it was better than the subway, as he couldn't have opened his bathrobe—only a dirty raincoat if he had one—there. The girls' dormitory directly across the street from his apartment was a veritable candy store. It would need a trained psychology professional to explain the exhibitionist mentality, and I don't know if anyone ever reported Cupcake's behavior. He was probably one of millions out there in the Big City and elsewhere. I'm more disturbed thinking about his behavior now than I was at the time it occurred. I was too naïve and bewildered at the time, I guess. Yuck.

*Touchstone in As You Like It, Act V, iv, 57-8 

Bloomingdale's, etc.

I suffer from a malady which may or may not be shared by others: Whenever I enter a store, I am overcome by exhaustion as soon as I cross the threshold. The symptoms are particularly acute with major department stores such as Bloomingdale's, which is probably the prime offender. The big B presents a brilliantly lighted, dizzying kaleidoscope of displays that can easily cause vertigo or even mal de mer. In general, I make a beeline for the escalator to the third floor, home of the so-called "bridge collections." These are generally quality, mass-produced garments which, while not inexpensive, do not fall into the rarefied categories displayed on the fourth, or designer, floor. I zoom past the sale racks, only then heading for the few designers appropriate to my age, height, and lifestyle. But I can't spend more than 15 or 20 minutes before virtual collapse is imminent. I know others who can go on with this for hours. Unbelievable. 

Another phenomenon absolutely incomprehensible to me is the usually cowed-looking husbands or boyfriends, who either accompany women shoppers or sit dejectedly on the (very) few seats scattered about the store. I can't imagine any man doing this, unless he's footing the bill, and as a totally independent, self-supporting woman, I can't imagine that, either. 

At least, wandering employees have stopped spraying passing shoppers with unwanted scents; apparently some people were allergic and potential lawsuits loomed. I am only psychologically allergic; glad this practice appears to have ceased. The general din and confusion of major department stores and, from my limited observation, shopping malls in general are probably designed to confuse people so much that they spend more than they intended. Of course, at this moment, we do need to keep money in circulation, as various old family members used to say.

And yet, and yet...I may drop into Bloomy's today on my way to a dance concert, as I need some household items which may possibly be on sale there. Haven't been in there in months, so if I'm never heard from again, you'll know that I was eaten alive or trampled to death.

Later: Interesting fact: Bloomingdale's no longer carries 50 percent cotton/50 percent poly bed sheets—only 100 percent cotton, and luxury labels at that. A salesgirl informed me that if I wanted the more plebeian type of sheets I would have to go to Macy's. I asked, "Who wants to iron sheets?" She replied, "They have maids." Well! Bloomingdale's was not the zoo it usually is on a Sunday; relatively few shoppers. I guess the  reports about declining retail sales are indeed a fact. Next stop: Macy's, but not today.